French

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Course image 22-23 FR1105: The Visual Image In French Culture And Society
French
The course comprises the following areas of study:

Image and Resemblance: the mimetic tradition; verisimilitude and visual representation; descriptive and expressive functions of the visual image; techniques of analysing visual images

Depth, Perspective, Time and Space: the tradition of one-point perspective; theories of representation; composition, distance and scale; angles of vision; the role of photography

Point of View: the role of the spectator; representation and ideology; art and politics; gendered representations

Semiology of the Visual Image: theories of Semiotics; denotation and connotation; approaches to decoding visual and linguistic messages; fixed and moving images.
Course image 22-23 FR1112: The Individual and Society: Key works
French

This course examines images of French society through a selection of four key literary texts and concentrates on how questions of social change, social mobility, success and failure, ambition and honour, oppression and alienation have been portrayed. Delivered by the appropriate specialist in the School of Modern Languages, the classes will offer a taste of the literature of the relevant periods, along with a discussion of its distinguishing features, and an overview of its intellectual, social, and historical background.

Course image 22-23 FR1400: French Language: Culture and Translation
French


This course introduces students to the skills of understanding French source texts and translating French source texts into English. After an introduction to the skills and techniques of translation, the focus will be on translation practice.


Course image 22-23 FR1701: French Advanced Written I
French

Les cours du module FR1701 consistent en deux types de cours. Ces cours on lieu en présentiel.

Il s'agit du cours de pratique qui permet de s'entraîner à appliquer les règles de grammaire (practical), et du cours de rédaction / écrit (written) qui permet d'apprendre à analyser la structure des phrases en français pour pouvoir rédiger un paragraphe en français. 

Le module comprend également une GRAMMAR LECTURE. Il s'agit de réviser les règles de la grammaire française. Cette année (2022-2023) le cours est synchrone (= en direct, en live) et EN LIGNE sur Microsoft teams. 

Course image 22-23 FR1702: French Advanced Oral I
French

Le cours d'oral du module FR1702 est un cours qui permet aux étudiants de s'entraîner à parler français grâce à différents types d'activités interactives et grâce à différents supports audios et vidéos. L'objectif est d'être capable de faire une présentation orale sur un sujet précis sous forme de discours structuré. 

Course image 22-23 FR2009: Pratique du français II
French

Les cours du module FR2009 consistent en trois types de cours. 

Il s'agit du cours de PRATIQUE qui permet de s'entraîner à appliquer les règles de grammaire (practical), du cours d'ECRIT (written) qui permet d'apprendre à développer son esprit de synthèse à partir de plusieurs documents, ainsi que du cours d'ORAL qui permet de s'entraîner à parler français et développer les compétences de compréhension orale.

Le module FR2009 comprend également une GRAMMAR LECTURE. Il s'agit de réviser les règles de la grammaire française. Cette année (2022-2023) le cours est synchrone (= en direct, en live) et EN LIGNE sur Microsoft teams. 

Course image 22-23 FR2102: Writing Romance & Desire
French
This course will focus on four texts dealing with love and desire taken from four periods. We will look at the persistent importance of the themes of passion and illicit desire to the Western literary canon and ask how, why and to what ends romance and desire are represented and understood differently in the light of prevailing moral climates, socio-economic structures and aesthetic considerations.
Course image 22-23 FR2106: Cinema In France: From Modernism To The Postmodern
French
This course examines key examples of French cinema from 1920 to the present day. In contrast to mainstream cinema, which broadly supports and confirms the dominant artistic norms, the films studied have, at different historical moments and in various ways, attempted to break with tradition and to challenge the prevailing forms, structures and conventions of the genre. From this perspective the course will focus on the distinct contributions of the avant-garde and surrealist films of the 1920s, social realist films of the 1930s, the nouvelle vague which began in the late 1950s, and its postmodern legacy in the 1980s followed by a return to realism in the new millennium.
Course image 22-23 FR2410: Advanced French Translation: Skills and Practice
French

This course is intended to enhance your understanding of and skills in translation from French to English through sustained translation practice as well as through the discussion of translation strategies. 
You explore the kinds of syntactical, stylistic, lexical and culturally-specific problems that arise when translating from French source texts to English target texts in a range of translation scenarios and across a range of text types. Common translation challenges such as transfer, compensation, gloss, exoticism, deceptive cognates, lexical gaps and cultural specificities as well as constraints of house style and character count will be identified and discussed, and you will learn how to develop techniques for dealing with these when translating into English

Course image 22-23 FR2501: Pra Oral In French
French
This course does not use Moodle for teaching at this time. For more information, please contact your department or the course tutor.
Course image 22-23 FR2502: Pra Oral In French
French
This course does not use Moodle for teaching at this time. For more information, please contact your department or the course tutor.
Course image 22-23 FR3113: Text and Image in France: from Cubism to the Present
French

The course explores the relationship between textual and visual forms of expression from the early twentieth century to the early twenty-first. From a variety of critical perspectives, the course focuses on an array of interactions between writers and artists over a century of experimentation. All the key texts will be examined in parallel with the artworks that inspired them, and these primary sources will be considered in their wider socio-cultural and aesthetic contexts.

Course image 22-23 FR3124: Blindness and Vision in French Culture
French
The course uses a broadly Disability Studies inflected approach to explore how the interrelated concepts of blindness and vision are represented in French fiction, film and theory in order to understand why sightedness and blindness are such important elements in French culture and to explore what is at stake in their representation. Questions discussed will include: How is blindness depicted in French culture? What do these depictions tell us about French attitudes to key concepts such as blindness, vision, appearance, normality, beauty and the gaze? Is seeing or not seeing gendered in any way? Do words and images relate to blindness differently? What happens when the blind or the partially blind speak for themselves? What is at stake in the widespread use of blindness as a metaphor?